Quick Compare - Audio Interface
	Model	Frequency Response	Dynamic Range	I/O	Included Software
M-AUDIO	Audiophile 2496	22Hz-22kHz, -0.4, +/-0.4dB	22Hz-22kHz, -0.4, +/-0.4dB	2 x 2 analog I/O S/PDIF digital I/O 1 x 1 MIDI I/O	Ableton Live Lite
M-AUDIO	Audiophile 192 HD	Input: +/-0.1dB, 20Hz to 20kHz @ 48kHz Output: +/-0.1dB, 20Hz to 20kHz @ 48kHz	Input: 113 dB @ 48kHz (A-weighted) Output: 109dB @ 48kHz (A-weighted)	2 x 2 analog I/O S/PDIF digital I/O 16-channel MIDI I/O	Ableton Live Lite
M-AUDIO	Delta 1010LT	22Hz-22kHz, -0.2,-0.4dB @48kHz 22Hz-40kHz, -0.2,-0.7db @96kHz	101.5dB (D/A) (A-weighted) 99.6dB (A/D) (A-weighted)	8 x 8 analog I/O S/PDIF digital I/O 1 x 1 MIDI I/O Word Clock I/O	Ableton Live Lite
M-AUDIO	Delta 1010	20Hz-22kHz, +/-0.3dB	109dB (A/D), 117dB (D/A)	10 x 10 24-bit/96kHz full-duplex recording interface 8 x 8 analog I/O S/PDIF digital I/O 1 x 1 MIDI I/O Word Clock I/O	Ableton Live Lite
M-AUDIO	Delta 44	48kHz sample rate input: +/-0.3 dB, 22Hz to 22kHz output: +/-0.2 dB, 22Hz to 22kHz 96kHz sample rate: input: +/-0.4 dB, 22Hz to 40kHz output: +/-0.3 dB, 22Hz to 40kHz	103dB (A-weighted) (D/A) 99dB (A-weighted) (A/D	4 x 4 24-bit/96kHz full-duplex audio interface 4 x 4 analog I/O	Ableton Live Lite
M-AUDIO	Delta 66	48kHz sample rate Input: +/-0.3 dB, 22Hz to 22kHz Output: +/-0.2 dB, 22Hz to 22kHz 96kHz sample rate: Input: +/-0.4 dB, 22Hz to 40kHz Output: +/-0.3 dB, 22Hz to 40kHz	103dB (A-weighted) (D/A) 99dB (A-weighted) (A/D)	6 x 6 24-bit/96kHz full-duplex audio interface 4 x 4 analog I/O S/PDIF digital I/O	Ableton Live Lite
M-AUDIO	Project Mix I/O Control Surface	Mic Input: 20Hz to 20kHz, +/- 0.1dB Instrument Input: 20Hz to 20kHz, +/- 0.1dB @ 48kHz Line Input: 20Hz to 20kHz, +/- 0.1dB @ 48kHz Line Output: 20Hz to 22kHz, +/- 0.1dB @ 48kHz      20Hz to 44kHz, +/- 0.2dB @ 96kHz	Mic Input: 104dB, A-weighted Instrument Input: 100dB, A-weighted Line Input: 104dB, A-weighted Line Output: 110dB, A-weighted	Built-in 18 x 14 FireWire audio interface 10-bit touch-sensitive motorized faders 1 x 1 MIDI I/O ADAT Lightpipe I/O 2 stereo headphone outputs Word clock I/O S/PDIF digital I/O 4 analog outputs 8 analog mic/line inputs	N/A

M-Audio Audiophile 2496 Top Features

• Award-winning 24-bit/96kHz digital audio card
• 2 x 2 full-duplex audio performance (analog I/O)
• Gold-plated RCA jacks
• S/PDIF digital I/O with 2-channel PCM and AC-3/DTS passthrough
• 1 x 1 MIDI I/O
• SCMS copy protection control
• Digital I/O supports surround-encoded AC-3 and DTS pass-through
• Zero-latency monitoring
• Software controlled 36-bit internal DSP digital mixing/routing
• Includes Ableton Live Lite music production software, so you can make music right away

The Audiophile 2496 embodies a quantum leap in computer audio fidelity and performance unequaled by other audio cards in its price range. This critically acclaimed PCI card features premium digital audio converters, elegant board design, and ultra-stable drivers just like the rest of the Delta line, but with a simpler I/O configuration. As a member of the Delta family, the Audiophile 2496 supports all computer platforms and major software programs, ensuring seamless integration and rock-solid performance. See why the Audiophile 2496 is one of the best-selling digital audio cards in the industry.

36-bit Embedded DSP

All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad controls and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation.
 

• Up to 24-bit/192kHz audio
• 2 x 2 balanced analog I/O
  • 2 balanced analog inputs (1/4” TRS)
  • 2 balanced analog outputs (1/4” TRS)
• S/PDIF digital I/O (coaxial RCA connectors) with 2-channel PCM and surround
• Direct hardware input monitoring via separate balanced 1/4” TRS monitor outputs
• 16-channel MIDI I/O
• SCMS copy protection control
• Digital I/O supports surround-encoded AC-3 and DTS pass-through**
• Software routing of inputs and outputs
• Digital I/O can be routed to/from external effects
• ASIO, WDM, GSIF 2 and Core Audio driver support for compatibility with most applications
• 64-bit driver support for Windows
• PCI 2.2 compatibility
• Includes Ableton Live Lite music production software, so you can make music right away

** Windows XP required for Dolby Digital and DTS “pass-through”

The Audiophile 192 continues the legacy of M-Audio’s industry-standard Delta audio card line. Building on our Audiophile 2496—one of the world’s most popular audio cards—the Audiophile 192 features high-definition 192kHz sampling rate, digital I/O, balanced analog I/O and an amazing signal-to-noise ratio. The Audiophile 192 represents a new benchmark in audio performance that’s as good as it gets for music production, mastering and critical listening. As with all Delta cards, you get rock-solid drivers and seamless integration with your favorite Mac and PC applications—and even the ability to combine multiple Delta cards in one system*. And since M-Audio is always ahead of the pack, this world-class card is also compliant with PCI 2.2 and 64-bit audio drivers so you’re ready to take advantage of next-generation platforms and software. The Audiophile 192 is the new world-class standard in stereo audio cards.

M-Audio Delta 1010LT Features

• 8 x 8 unbalanced analog I/O
• 2 built-in mic preamps
• 1 x 1 MIDI I/O
• Word clock I/O for sample accurate device synchronization
• S/PDIF digital I/O (coaxial) with 2-channel PCM and AC-3/DTS surround
• 2 mic preamps or line inputs
• SCMS copy protection control
• Digital I/O supports surround-encoded AC-3 and DTS pass-through
• Directly drive up to 7.1 surround (bass management software included)
• Software controlled 36-bit internal DSP digital mixing/routing
• +4dbu/-10dBV operation individually switched in software
• Word clock I/O for sample accurate device synchronization
• Includes Ableton Live Lite music production software, so you can make music right away

The Delta 1010LT delivers much of the same universal connectivity, high fidelity and seamless performance as the popular Delta 1010 on a single PCI card—and at a fraction of the price. Multiple analog I/O, MIDI, S/PDIF and surround sound support are all here. Two inputs even have mic/line preamps on XLR connectors, saving the expense of outboard preamps. It’s all on a compact, half-size PCI card with two color-coded breakout cables. Combine up to four Deltas* in your system for a maximum of 32 analog and four stereo S/PDIF inputs and outputs.

36-bit Embedded DSP

All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad controls and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation.
 

M-Audio Delta 1010 Features

• 8 x 8 analog I/O on balanced/unbalanced 1/4” TRS
• Digital I/O with PCM and AC-3/DTS pass-through
• 1 x 1 MIDI I/O
• Word clock I/O for sample accurate device synchronization
• 10 x 10 24-bit/96kHz full-duplex recording interface
• S/PDIF digital I/O (coaxial) with 2-channel PCM
• SCMS serial copy management control
• Digital I/O supports surround-encoded AC-3 and DTS pass-through
• Up to 24-bit/96kHz fidelity
• Analog outs directly drive up to 7.1 surround
• +4dBu/-10dBV operation individually switched on rack-mount unit
• Software-controlled 36-bit internal DSP digital mixing/routing
• Zero-latency monitoring
• Includes Ableton Live Lite music production software, so you can make music right away

Recognized around the world as the top choice in host-based PCI digital audio solutions, the rack-mount Delta 1010 is designed to handle the needs of the most demanding project and professional studios. Superb engineering and ultra-high quality converters deliver fidelity surpassing systems that cost many times more. Multiple inputs accommodate recording numerous tracks simultaneously, including zero-latency monitoring for seamless overdubs. Multiple outs route individual tracks or soft synth/sampler timbres to a mixing console, or directly drive up to 7.1 surround sound systems. The analog outs also remain live for monitoring while mixing or transferring digital signals via S/PDIF. MIDI I/O rounds out everything you need to take advantage of today’s music software. Combine up to four Deltas* in your system for a maximum of 32 analog and four stereo S/PDIF inputs and outputs.

36-bit Embedded DSP

All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad controls and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation.
 

M-Audio Delta 44 Features

• 4 x 4 24-bit/96kHz full-duplex audio interface
• 4x4 analog I/O
• Software controlled 36-bit internal DSP digital mixing/routing
• Software configurable for +4dBu and -10dBV signal levels
• Zero-latency monitoring
• Includes Ableton Live Lite music production software, so you can make music right away

Need a great sounding audio interface without digital I/O? The Delta 44 offers the same features and high performance as the Delta 66, but is designed for the user who does not require digital I/O. And like its big brother, the Delta 44’s breakout box handles four balanced/unbalanced, +4dBu or -10dBV signal level analog inputs and outputs. You get the same 24-bit/96kHz fidelity, industry-standard driver support and bulletproof operation as is found across the entire Delta family.

36-bit Embedded DSP

All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, and adjustable +4dBu/-10dBV pad controls. All controls are also easily accessible through most professional audio software applications for seamless integration and operation.
 

M-Audio Delta 66 Features

• 6 x 6 24-bit/96kHz full-duplex audio interface
• 4x4 analog I/O
• SCMS copy protection control
• S/PDIF digital I/O with 2-channel PCM
• Digital I/O supports surround-encoded AC-3 and DTS pass-through
• Software controlled 36-bit internal DSP digital mixing/routing
• Software configurable for +4dBu and -10dBV signal levels
• Zero-latency monitoring
• Includes Ableton Live Lite music production software, so you can make music right away

The Delta 66 delivers 24-bit/96kHz to your desktop, complete with digital I/O for pristine file transfers and surround sound passthrough. The rugged external breakout box gives you the convenience of making connections to the four 1/4” TRS analog inputs and outputs right on your desktop—no more fumbling behind the computer.

36-bit Embedded DSP

All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad controls and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation.
 

M-Audio Project Mix Features

• Record audio directly into Pro Tools M-Powered (not included)
• Use with Pro Tools M-Powered, Live, Logic, Cubase, Digital Performer and SONAR
• 10-bit touch-sensitive motorized faders for intuitive mixing and editing
• Built-in 18 x 14 FireWire audio interface (no additional hardware required)
• 8 phantom-powered mic/line preamps
• Assignable rotary encoders control mixes, effects and synths
• LCD display with full track and parameter readout
• Dedicated transport controls and jog/scrub wheel > seamless session flow
• 8 touch-sensitive motorized channel faders
• 1 touch-sensitive motorized master fader
• 8 assignable rotary encoders and large LCD for channel or plug-in functions
• Record enable, select, solo and mute buttons on each channel
• Channel +/- and bank +/- keys
• Illuminated transport controls for record, play, stop, fast forward and rewind
• Jog/scrub wheel with mode switch
• Zoom key with 4 directional keys
• Dedicated keys for in/out points, locate, region nudge, loop and more
• A/B headphone source switch for cue auditioning
• Function LED display for each channel
• 8 analog mic/line inputs (1/4” TRS and XLR balanced) each with signal/peak indicators and mic/line switch
• 4 analog outputs (1/4” TRS balanced)
• ADAT Lightpipe I/O
• Front panel instrument input (1/4” TS) switchable for input 1
• S/PDIF digital I/O
• 1 x 1 MIDI I/O with activity LEDs
• FireWire (IEEE 1394) connectivity
• Word clock I/O (BNC)
• Phantom power
• 2 stereo headphone outputs (1/4” TRS) with independent level controls
• Kensington lock port

Today, more professional music is produced at home than ever before—and the new ProjectMix I/O delivers what you need to take your computer-based studio and productions to the next level. Seamless integration with all major DAW software. The ability to record directly into industry-standard Pro Tools sessions. Faders so you can feel the mix with your fingertips instead of dragging a mouse. On-board display of critical parameters for intuitive operation. Motorized control to craft more accurate mixes. And professional multi-channel I/O including mic/instrument preamps, Lightpipe and S/PDIF. ProjectMix I/O is the universal solution that combines the best of the hardware and software worlds for a new standard in streamlined production. Compatible with Pro Tools M-Powered 7^, Ableton Live 5^, Logic*, Cubase*, Digital Performer*^ and SONAR*^.

* DAW software version must support Mackie Control, Logic Control or HUI protocol.

^Support available now via free downloadable firmware upgrade; download the firmware here.

Total I/O

ProjectMix I/O gives you just about every kind of I/O you might need for a session—and at the same price as many control surfaces lacking audio altogether. Eight analog input channels all feature 1/4" balanced and XLR microphone inputs with individual mic/line switches. Of course, phantom power is provided for up to eight condenser mics and input 1 even features a front-panel instrument input so you easily plug a guitar or bass right in. 8 x 8 ADAT Lightpipe I/O brings the simultaneous input total to 16 and allows you to expand your system with devices like M-Audio’s award winning Octane preamp. This allows for eight more channels of preamp via Lightpipe. 2 x 2 S/PDIF handles all your other digital connectivity, and word clock synchronizes ProjectMix with other digital devices.

ProjectMix I/O also serves as a 1 x 1 MIDI interface, allowing your computer to connect with MIDI hardware. Monitoring options include two 1/4" headphone outputs with separate volume controls for working with a partner, as well as two stereo output pairs for routing to monitors, processors and mixdown devices. There’s even an A/B headphone source monitoring switch for cueing. ProjectMix I/O brings all of this to your computer with a single, simple FireWire connection.

Easy to Use

M-Audio’s design team gave a great deal of consideration as to what features would provide the most value in an affordable package. They knew that cutting-edge features like high-resolution 10-bit touch-sensitive moving faders, large LCD display and mic/line switches on all channels were important. They also found that much of the expense of other units on the market owed to a dizzying number of controls that many users find daunting. Our engineers opted for a streamlined design that places some functions under the control of the keyboard and mouse, where they are best suited. The result is a controller that doesn’t have much of a learning curve, is much more intuitive to use and comes in at an unbeatable price. Check out ProjectMix I/O for yourself at your local M-Audio dealer. We think you’ll agree.

10-bit Touch-Sensitive Moving Faders

The motorized touch-sensitive faders on each of ProjectMix I/O’s eight channel strips and master strip record and playback your changes, making for seamless mix automation. And touch sensitivity means that when you touch a fader in motion, it immediately disengages for manual control and re-engages automation when you release. This provides for both smoother operation and the elimination of motor burnout prevalent in older technologies. ProjectMix’s faders also feature higher resolution than other control surfaces in its price range.

Transport Control

Dedicated transport controls are another feature that makes doing sessions with ProjectMix I/O a breeze. You get illuminated controls for record, play, stop, fast forward, and rewind, plus a jog/shuttle wheel and locate buttons for easy project navigation. Sets of keys for in/out points, zoom, region nudge, looping and more will having your flying through sessions with incredible efficiency.

Channel Strip

ProjectMix I/O’s eight channel strips can map to as many channels as your project by simply pressing the bank +/- and channel +/- controls. Each channel strip features all of the functions you’d expect to help you zip through sessions, including buttons for mic/line, record enable, mute, solo, and select. In addition to a touch-sensitive motorized fader, each strip has an endless rotary encoder knob whose function is assigned by one of 15 dedicated buttons for EQ, aux send and more. Related information is displayed in the LCD window directly above each encoder. The encoders and LCD double to control assigned plug-in parameters as well.